Saturday, 23 November 2013

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Saturday, 9 November 2013

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Saturday, 2 November 2013

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Tuesday, 29 October 2013

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Friday, 25 October 2013

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Thursday, 26 September 2013

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Sunday, 1 September 2013

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Saturday, 17 August 2013

Reminder: Connect with Kishore on Facebook

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Thursday, 1 August 2013

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Saturday, 22 June 2013

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Thursday, 18 April 2013

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Tuesday, 8 January 2013

'Struck by Lightning' Premiere: Chris Colfer, Rebel Wilson, Sarah Hyland Celebrate the Film



The stars of Colfer's screenwriting debut stepped out for the film's Hollywood premiere on Sunday, Jan. 6, at the Chinese 6 Theatres. Wilson, Hyland and Dermot Mulroney were joined by friends, family and fans at the screening and afterparty at EDEN.


arah Hyland, Roberto Aguire, Rebel Wilson
Co-stars Sarah Hyland, Roberto Aguire and Rebel Wilson mug for the cameras at the Hollywood premiere of Struck by Lightning.

Kathryn Bigelow, Mark Boal Fire Back at 'Zero Dark Thirty' Investigation and Torture Debate



In accepting awards at the New York Film Critics Circle ceremony, the 

director and screenwriter addressed critics in Congress and the world 

of punditry.

As they received trophies in New York City, Kathryn Bigelow and Mark 

Boal sent a warning shot directed squarely at Washington, DC.


The director and screenwriter of Zero Dark Thirty accepted the best 

director and best picture awards at Monday night's New York Film 

Critics Circle Awards and used the opportunity onstage to address 

simmering controversies: the debate over their film's use of torture, as 

well as the impending Senate investigation into their sources in crafting 

the movie about the hunt for Osama bin Laden.


"I thankfully want to say that I'm standing in a room of people who 

understand that depiction is not endorsement, and if it was, no artist 

could ever portray inhumane practices; no author could ever write about 

them; and no filmmaker could ever delve into the naughty subjects of 

our time," Bigelow said to applause from the press and peers 

assembled at the Crimson Club in Manhattan.


STORY: Torture, Tears and Terror: Jessica Chastain and Jason Clarke 

on 'Zero Dark Thirty'


Many -- including Senate Intelligence Committee Chair Dianne 

Feinstein and Arizona Senator John McCain -- have accused the film of 

endorsing the use of torture due to its graphic depiction of the 

waterboarding, sexual humiliation and other "enhanced interrogation" 

techniques done to a detainee. Debate over whether the techniques are 

depicted as helping the CIA obtain valuable information in the hunt for 

bin Laden has in some ways overshadowed the rest of the film, which 

has received near-universal praise.


Boal, in accepting the best picture award, gave a more full-throated 

defense of the film, while also pulling in an even more current political 

headline.


"There's been a lot written about this movie; some of it has popped off 

the entertainment page to the news page. And from time to time, some 

of you might have wondered if we would have liked to comment on 

some of that coverage, and the answer is yes," he said, standing 

defiantly at the podium.


VIDEO: Mark Boal Breaks Silence on CIA's Role in 'Zero Dark Thirty'


"Let me just say this: there was a very interesting story on the front 

page of the New York Times today by Scott Shane, about a CIA agent 

who is now facing jail time for talking to a reporter about 

waterboarding," he explained, referencing the story of John Kiriaku, an 

ex-CIA operative who was sentenced to 30 months in prison for 

disclosing the name of a covert CIA agent's name to a journalist. 

Kiriaku publicly discussed torture on television and was a source for 

many other journalists.


"This gentleman is going to jail for that. And all I can say is that I read 

that story very closely. It sort of reminds me of what somebody else 

said when they were running for president, which is, 'If this shit was 

happening to somebody else, it would be very interesting. For us, it's 

quite serious," Boal continued, a nod at the pending Senate 

investigation into whether the CIA improperly gave him classified 

information to assist in the making of the film.


Film Review: 'Zero Dark Thirty'


"But nevertheless, I stand here tonight being extremely proud of the film 

we made... In case anyone is asking, we stand by the film," he added, 

throwing down a gauntlet. "I think at the end of the day, we made a film 

that allows us to look back at the past in a way that gives us a more 

clear-sighted appraisal of the future."


The Oscar-winning screenwriter, however, was reluctant to discuss the 

investigation.


"You'd have to ask them," he told The Hollywood Reporter, when asked 

about the status of the probe called for by Feinstein. "I think they have 

a job to do, and it's very different from my job."


He did say, though, that he thinks that it should be clear that Zero Dark 

Thirty is inspired by a true story, not a work of investigative journalism.

"It's a movie. I've been saying from the beginning it's a movie. That 

shouldn't be too confusing," he quipped. "It's in cinemas, and if it's not 

totally obvious, a CIA agent wasn't really an Australian [Jason Clarke] 

that was on a lot of TV shows, and Jessica Chastain isn't really a CIA 

agent; she's a very talented actress. But I think most American 

audiences understand that."


Email: Jordan.Zakarin@THR.com; Twitter: @JordanZakarin


Director Mark Romanek Exits Disney's 'Cinderella'




Cate Blanchett is attached to star in the live-action remake written by 

Chris Weitz.


Director Mark Romanek has exited Disney's live-action Cinderella 

remake, The Hollywood Reporter confirms.


OUR EDITOR RECOMMENDS

'A Better Life' Director Chris Weitz Joins Disney's Live-Action 

'Cinderella' as Writer (Exclusive)

Christian Louboutin Reimagines Cinderella's Glass Slipper


Cate Blanchett is attached to star in the reimagining of the classic fairy 

tale, written by Chris Weitz (A Better Life, About a Boy) and produced 

by Simon Kinberg (X-Men trilogy, Elysium).



Disney said in a statement Monday that it's now looking for a new 

director.

"The Walt Disney Studios and Mark Romanek have parted ways on 

Disney's Cinderella project," the company said in a statement. "We are 

committed to moving the project forward and have begun the search for 

a new director.  The team here at Disney respects Mark as both a 

director and a friend, and we hope to find something to work on 

together in the future."


Romanek previously helmed Never Let Me Go and One Hour Photo.



STORY:


 Cate Blanchett in Negotiations to Play Evil Stepmother in Disney's 

'Cinderella'


The Cinderella project was first set up at Disney in May 2010 in the 

wake of the studio's success with Alice in Wonderland, the live-action 


adaptation of the Lewis C. Carroll book that starred Johnny Depp.

Devil Wears Prada writer Aline Brosh McKenna wrote the initial draft of 

the script.

Inside the NYFCC: Michael Moore's Pope Slam, Gandolfini's Bowels and McConaughey's G-String





Stars gave colorful speeches during an eventful awards show in 

Manhattan, including Steven Soderbergh regaling the audience with a 

tale of his "Magic Mike" star's encounter with a groping fan.

The winners were pre-determined, but Monday night's New York Film 

Critics Circle Awards at the Crimson Club in Manhattan was anything 

but predictable.


What started out as a celebration of the members of the local press 

society -- with a roll call of names and applause for its voting 

participants -- soon became a forum for the scatalogical and political 

pronouncements of the visiting Hollywood stars.


James Gandolfini was irreverent when he presented the best 

cinematography award to Zero Dark Thirty's Greig Frasier. Then again, 

he also admitted to having little idea what a cinematographer actually 

does on a daily basis -- and his best guess was more a dark take on 

the film industry than any rosy, awards show-friendly spin.

FULL LIST: New York Film Critics Circle Winners

"This is a generalization of what I think being a DP entails: It's the 

ability to work in different genres of wildly different films, with mostly 

insane directors; who want the impossible done quickly to appease 

selfish and annoying actors, most of them with drug and alcohol 


problems; working closely with a crew -- most of them in AA because 


unlike the actors, they can get fired if they're drunk or f----- up, so they 


have to stop drinking, they're usually very angry about it," the Emmy-

winner rattled off. "If you're in different country, you're with a crew that 

doesn't speak English, and they usually don't like you, because you're 

trying to accomplish the impossible shit that the crazy director has 

asked you to do; and you are pissed off and you're yelling at them 

because you've had no sleep and because your asshole is raging 

because of the diarrhea is raging from the bad food. That's pretty much 


what I think the DP has to deal with most of the time."


That seemed hard to top, until Steven Soderbergh, who directed 

Matthew McConaughey in Magic Mike, went even deeper while 

presenting the star with the best supporting actor trophy.


"While we were shooting Matthew's strip sequence, one very 

impassioned woman extra -- background artist, sorry -- pulled his g-

string off and tried to stick her finger up his butt," the Oscar-winning 

helmer revealed, to raucous laughter from the crowd.


McConaughey, in his acceptance speech, corrected Soderbergh, 

asserting that the over-eager woman wasn't going for the butt, but 

somewhere else. Also notable: the actor, having gone scarily gaunt for 

his role as an AIDS patient in the upcoming Dallas Buyer's Club, had 

gained back 25 pounds and was looking far less skeletal than the man 

recent paparazzi photos had depicted.


Steven Spielberg presented the best actor award to his Lincoln star, 

Daniel Day-Lewis, and read the rejection letters that the two-time 

Oscar winner had written when initially pitched the part. On the other 

hand, Sally Field, the best supporting actress, was introduced by Katie 

Couric, who described how desperately Field, herself a two-time Oscar-

winner, fought to earn the role of Mary Todd Lincoln.

There was Michael Moore, who presented the best first feature award to 

David France, a veteran journalist who made the transition to film with 

his documentary on the 1980s AIDS epidemic, How to Survive a 

Plague. Moore, the outspoken liberal filmmaker, touched on his 

memories of the tragic era, which saw thousands of gay and lesbian 

people suffer and die from what was then a mysterious and 

uncontrollably lethal disease.


He called out President Ronald Reagan, who is still maligned by 

activists for not acknowledging the epidemic for several years, as well 

as Pope John Paul II, whose Catholic Church opposed the use of 

condoms. He blamed the pair for being responsible for the deaths of 

thousands. Moore also said that he personally enjoyed the 1989 ACT 

UP protests that interrupted Cardinal John Joseph O'Connor's service at 

St. Patrick's Cathedral, a comment that drew heckles from a member 

of the audience.


"Okay, I've upset the Catholics," Moore cracked, before launching into 

a full Latin prayer, drawing cheers and hollers from the rest of the 

crowd. He continued, praising France's film for "showing exactly what 

happened in this era, but more importantly, how a group of people that 

were otherwise shat upon by society, rose up and were able to turn this 

thing around, to where now, we don't go to so many funerals, do we?"


Chris Rock presented an award to the other documentary honored on 

the night, Ken Burns' Central Park Five. He called the doc, about five 

minority teenagers who were forced to confess to a rape they did not 

commit, the best film he'd seen all year. At the same time, he was 

careful not to be too funny on stage. As he said, "It's hard to make a 

bunch of jokes about a movie with rape in it."


The year's best director and best film award went to Zero Dark Thirty, 

which pitched itself as at once a true story and a work of fiction. 

Embroiled in several controversies, over the film depiction of torture and 

the potentially leaked classified information used to inform the movie's 

scripting, director Kathryn Bigelow and screenwriter Mark Boal were 

defiant, with the writer saying, "In case is anyone asking, we stand by 

the film. I think at the end of the day, we made a film that allows us to 

look back at the past in a way that gives us a more clear-sighted 


appraisal of the future."