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Monday, 24 December 2012
Fwd: Hai Dear Friends Let's Celebrate the christmas
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Saturday, 22 December 2012
Parental Guidance: Film Review
Chris Rock Settles Hungarian Model's Pellicano-Related Lawsuit
Friday, 21 December 2012
Disney Severs Ties with Olympic Runner Moonlighting as Sex Worker
Paramount, Mario Puzo Estate Settle 'Godfather' Lawsuit
Mila Kunis Targeted with Nazi-Era Anti-Semitic Slur by Ukrainian Politician
Hollywood's January Violence Spree: Half of Films Show Guns Amid NRA Criticism
Disney Sets Theatrical Release Date for 'Planes'
Thursday, 20 December 2012
Wednesday, 19 December 2012
Zac Efron, Marcia Gay Harden Join JFK Drama 'Parkland'
Fox Picks Up 'Theory of Everything' From Top Cow Comics
From 'Hobbit' Legos to Thor's Helmet: A Last-Minute Geek Gift Guide
'Perverted and Reprehensible': Scarlett Johansson Speaks Out on Nude Photo Hacking
Ben Affleck Drops Out of Warners Heist Movie 'Focus'
President Obama Plays Spider-Man Villain With a Staffer's Child (Photo)
Tuesday, 18 December 2012
Nielsen to Buy Arbitron for $1.26 Billion
Media research giant makes a play into the radio measurement business.
Nielsen said Tuesday that it plans to buy Arbitron in a deal valued at about $1.26 billion.
The acquisition would give Nielsen, the largest media research firm in the world, reach into the world of radio measurement. Arbitron has long been the leader in that sector, with a strong footprint inside the U.S. radio market.
In announcing the deal -- which needs to pass regulatory scrutiny -- Nielsen said it would be purchasing all of the outstanding common stock of Arbitron for $48 per share in cash, representing a premium of about 26 percent to Arbitron's closing price on Dec. 17.
With $422 billion in revenue last year, Arbitron is selling its business at three times sales. Nielsen chief executive David Calhoun commented that the acquisition is necessary to grow. Together, Nielsen and Arbitron generated total revenue of $6 billion for the fiscal year ending Sept. 30.
The transaction already has been approved by the boards of both companies.
"U.S. consumers spend almost two hours a day with radio. It is and will continue to be a vibrant and important advertising medium," said Calhoun. "Arbitron will help Nielsen better solve for unmeasured areas of media consumption, including streaming audio and out-of-home. The high level of engagement with radio and TV among rapidly growing multicultural audiences makes this central to Nielsen's priorities."
It's the second big announcement by Nielsen in two days. On Monday, the company said it had reached a multiyear agreement with Twitter to create the Nielsen Twitter TV Rating for the U.S. market. As a result, Nielsen will be pushing into the world of social media, attempting to introduce a standardized metric capturing the reach of the TV conversation on Twitter.
The Arbitron deal is intended to further recognize the inclusive media consumption habits of consumers. Nielsen president Steve Hasker noted that Nielsen will be expanding its audience measurement across screens and forms of listening. "These integrated, innovative capabilities will enable broader measurement of consumer media behavior in more markets around the world," he said.
Twitter: @eriqgardner
'The Master' Named Best Movie by Toronto Film Critics
Paul Thomas Anderson also took the best director and best screenplay prizes for his cult-leader drama, while Philip Seymour Hoffman was named best supporting actor.
TORONTO — The Toronto Film Critics Association has named The Master, Paul Thomas Anderson's cult-leader drama, as the year's best film.
Michael Haneke's Amour and Kathryn Bigelow's Zero Dark Thirty emerged in the voting as the runner-ups.
STORY: How a Trip to the Mall Changed 'The Master' Star Joaquin Phoenix's Life
The group also gave Anderson top honors for best director and best screenplay, while Philip Seymour Hoffman was named best supporting actor.
The Master, which earned awards for Anderson, Hoffman and co-star Joaquin Pheonix after it bowed in Venice, more recently dominated the award-giving from the Los Angeles Film Critics Association and was named the best picture of the year by the San Francisco and Kansas City film critic groups.
After meeting Sunday night to vote their own annual awards, Toronto film critics also named Haneke's Amour the year's best foreign-language film after the Jean-Louis Trintingnant-Emmanuelle Riva starrer won the Palme d'Or at Cannes.
STORY: 'The Master,' 'Moonrise Kingdom' Among Gotham Independent Film Award Nominees
In voting for the acting categories, Denis Lavant won the best actor prize for his star turn in Holy Motors, while Rachel Weisz took the best actress prize for her performance in Terence Davies' The Deep Blue Sea.
And Gina Gershon was named best supporting actress for her work in William Friedkin's Killer Joe.
Toronto film critics also named ParaNorman, Chris Butler and Sam Fell's stop-motion horror comedy, as the year's best animated feature.
The Canadian critics also named the three finalists for their association's best Canadian film award: Denis Côté's Bestiaire; Goon, directed by Michael Dowse; and Sarah Polley's Stories We Tell.
ANALYSIS: Awards Season: Why Critics' Prizes Can Be a Dead End
The top Canadian film will win $100,000, while the two runner-ups will earn $5,000 each.
Polley's Stories We Tell was also named the best documentary film of the year by the Toronto film critics, while Beasts of the Southern Wild, directed by Benh Zeitlin, and Panos Cosmatos' Beyond the Black Rainbow shared the best first feature prize.
The Toronto Film Critics Association will hand out its awards Jan. 8 in Toronto.
'Bully' Doc Awarded Producers Guild's 'Stanley Kramer' Award
Lee Hirsch's look at the impact bullying has on the lives of children and families is honored for "illuminating and raising public awareness of important social issues."
Bully will be honored by the Producers Guild of America at its annual awards show in January.
The 2011 documentary directed by Lee Hirsch, which tracks the tragic impact that bullying has had on five students throughout the nation, will be given the Stanley Kramer Award, which honors productions and individuals that "illuminate and raise public awareness of important social issues."
Hirsch and producer Cynthia Lowen will accept the award.
"The social action campaign for Bully raised significant funding that allowed for over 250,000 students nationwide to take field trips within an educational framework to see the film," the PGA said in a statement. Bully sparked a movement, sparked a shift in consciousness and rallied people of all ages to stand up against intolerance and hate. It's a film that I believe Stanley Kramer himself would applaud and we're thrilled to recognize it with this honor."
The film was the subject of multiple organized drives, with students campaigning to change its rating from R to PG-13 (Harvey Weinstein, the film's executive producer, ultimately agreed to some edits to make it so), while students also worked to make sure their classrooms were able to travel together to see the movie.
The PGA Awards will take place on January 26. Previous winners of the Stanley Kramer Award include Hotel Rwanda and An Inconvenient Truth.
Danny Boylr Declined British Knighthood (Report)
The "Slumdog Millionaire" director was allegedly asked if he'd accept the honor after this summer's Olympics.
Having already tossed her from an airplane, Danny Boyle has no need for the Queen of England's highest honor.
According to reports, the Oscar-winning filmmaker was nominated for a knighthood by the UK's arts and media honors committee for his direction of the massive, very British opening ceremony for the London Summer Olympics; when the committee approached him to see if he'd accept the honor, however, he declined.
PHOTOS: Inside the Olympics Opening Ceremonies
As Boyle told Mark Lawson in an interview on BBC radio earlier in December, he considers himself a populist, and the ceremony he created -- which included tributes to the National Health Service and a pre-recorded scene between James Bond and Queen Elizabeth -- was a celebration of all of Britannia.
"I'm very proud to be an equal citizen and I think that's what the Opening Ceremony was actually about," he said.
THR's critic David Rooney agreed, writing of the ceremony, "Boyle's epic opera of social and cultural history was a vibrant work of unfettered imagination that celebrated a nation, but even more so, its people."
'The Master' And 'Amour' Lead London Critis ' Circle Awards' Nominations Pack :
Paul Thomas Anderson and Michael Haneke's movies will contest for seven awards including best film, best director and best screenplay nods.
LONDON – Paul Thomas Anderson's The Master and Michael Haneke's Amour lead the field of nominations for the annual London Critics' Circle awards with seven apiece.
PHOTOS: SAG Awards 2013: The Complete List of Nominees
The Master also picked up nomination berths in the best actor and best supporting actor categories for Joaquin Phoenix and Philip Seymour Hoffman respectively while Amy Adams is in the running in the best supporting actress section for her turn in the film.
Haneke's Palme d'Or winner Amour, recently crowned best film by the Los Angeles Film Critics, is also up for the best foreign film award while Jean-Louis Trintignant and Emmanuelle Riva are nominated for best actor and best actress respectively.
The film's Isabelle Huppert finds herself in the best supporting actress race.
And it's another first for Skyfall, the box office record-breaking James Bond outing starring Daniel Craig as 007 for the third time in his career.
The movie now becomes the most fêted Bond film at the London Critics' Circle Awards.
The movie leads the British field with five nominations including for British film, British actor of the year for Craig, and best a supporting actor slot for Javier Bardem.
PHOTOS: Golden Globes Snubs: 'Mad Men,' Jamie Foxx, Robert De Niro
Judi Dench is nominated in two categories both for supporting actress and British actress of the year, the latter of which is shared between her role in Bond and The Best Exotic Marigold Hotel.
Should The Master or Amour fail to take the best film nod, it will be either Argo, Beasts of the Southern Wild and Life of Pi that will walk away with the prize.
Kathryn Bigelow (Zero Dark Thirty), Nuri Bilge Ceylan (Once Upon A Time In Anatolia) and Ang Lee (Life of Pi) will contest in the best director category against Haneke and Anderson.
Daniel Day-Lewis (Lincoln), Hugh Jackman (Les Miserables) and Mads Mikkelsen (The Hunt) will battle it out with Phoenix (The Master) and Trintignant (Amour) for the actor of the year nod.
And Jessica Chastain (Zero Dark Thirty), Marion Cotillard (Rust and Bone), Helen Hunt (The Sessions) and Jennifer Lawrence (Silver Linings Playbook) will take on Riva (Amour) to win the actress of the year crown.
Alan Arkin (Argo), Tommy Lee Jones (Lincoln), Philip Seymour Hoffman (The Master), Michael Fassbender (Prometheus) and Bardem (Skyfall) all find themselves in the running for best supporting actor.
STORY: 'The Master' Named Best Movie by Toronto Film Critics
The best supporting actress nod will go to one from Sally Field (Lincoln), Anne Hathaway (Les Miserables) or Adams (The Master), Dench (Skyfall) and Huppert (Amour).
Alongside Craig (Skyfall) and Day-Lewis (Lincoln) in the British actor of the year category is Charlie Creed-Miles (Wild Bill), Toby Jones (Berberian Sound Studio) and Steve Oram (Sightseers).
And should Dench (The Best Exotic Marigold Hotel and Skyfall) fail to secure the actress of the year award, it will have gone to one from Emily Blunt (Looper and Your Sister's Sister), Alice Lowe (Sightseers), Helen Mirren (Hitchcock) or Andrea Riseborough (Shadow Dancer).
The London Film Critics' Circle comprises over 120 members of U.K. film critics, broadcasters and writers, who this year voted for more than 200 titles on their nominations ballots.
The Circle's chairman Jason Solomons said the selections indicate "how the London critics view all films from around the world on a level footing -- brilliance is the only benchmark."
The 33rd annual edition London Critics' Circle Film Awards will be dished out Sunday Jan. 20th at the May Fair Hotel in central London.
PHOTOS: The Making of Michael Haneke's 'Amour'
The nominations in full:
The Sky Movies Award: FILM OF THE YEAR
Amour(Artificial Eye)
FOREIGN LANGUAGE FILM OF THE YEAR
SUPPORTING ACTOR OF THE YEAR
SUPPORTING ACTRESS OF THE YEAR
YOUNG BRITISH PERFORMER OF THE YEAR
The American Airlines Award: DIRECTOR OF THE YEAR
BREAKTHROUGH BRITISH FILM-MAKER
The Sky 3D Award: TECHNICAL ACHIEVEMENT AWARD
'Hangover' Knock-Off Pushes 'Life of Pi' From Top Spot in China
Ang Lee's epic maintains its momentum in China, but domestic comedy "Lost in Thailand" takes the lead with a $47.3 million haul.
HONG KONG – Going into its fourth week of release in Chinese theaters, it was suspected Life of Pi might finally leave the top slot of the Chinese box-office. And it did -- but what surprised many China industry watchers was the way it went. Its position was taken over not by the much-hyped domestic historical epics now in release, but by a local comedian's mid-budget directorial debut about a Chinese trio's fumbling mishaps across Thailand.
Opening on Dec. 12, Xu Zheng's Lost in Thailand has grossed 295 million yuan (US$47.3 million) up until Dec. 16, according to figures revealed in a Weibo post on the state-backed China Film News portal. Its takings amounted to nearly 60 per cent of total box-office revenue in the country during the past week.
The film, which revolves around a trip in Thailand involving a business executive (played by Xu), a rival colleague (Huang Bo, Crazy Stone) and a country bumpkin (Wang Baoqiang, A World Without Thieves) fighting and finally reconciling, is now on-track to break the highest first-week gross record for a domestic release in China (the previous record was held by Painted Skin: Resurrection, which took 298 million yuan ($47.8 million) during its first seven days of release in July).
Despite being relegated to second place in the rankings, Life of Pi has took 100 million yuan (US$16 million) last week – a solid figure given its long run in theaters and also the fierce competition it has faced from local productions. The film has now accumulated 540 million yuan (US$86.5 million) in the country – an amount which has made up two-thirds of the production's total takings outside the US.
STORY: Ang Lee's 'Life of Pi' Beating Highly Touted Local Epic
Lost in Thailand's performance will be put to a test later this week, however, as Jackie Chan's heist-caper Chinese Zodiac 12 and Andrew Lau Wai-keung's period martial arts drama The Guillotines open in Chinese cinemas.
One film that has fallen prematurely out of contention is Feng Xiaogang's Back to 1942, which is now in third place, taking just 65 million yuan (US$10.4 million) and now totaling 340 million (US$54.5 million) – falling far short of the director's publicly stated goal of pulling at least 800 million yuan for his financiers at Huayi Brothers studio.
Critics have expressed reservations about the film's success during the festive season, as it tackles the very heavy topic of the real-life famine in Henan province in 1942, which left 3 million people dead. Ironically, it was Feng who pioneered the cultural institution now known as the "New Year Comedy" in China with a string of contemporary urban satires in the mid-1990s, before he turned to broaching more serious matters with his December-January outings in recent years.
Monday, 26 November 2012
'Life of Pi' Gives Fox Unit Its Second-Highest Opening Weekend in India
Sam Mendes's new James Bond plot! English News Sam Mendes's new James Bond plot
'Breaking Dawn - Part 2' Eyeing Thanksgiving Win Over 'Rise of the Guardians,' 'Life of Pi'
Friday, 23 November 2012
Cheerful Weather for the wedding Opens in New York on December
Tuesday, 20 November 2012
Documentary says inmate involved in Simpson case by lahari
A documentary about an inmate on Florida's death row says the convicted killer might have been involved in the murder of O.J. Simpson's ex-wife and her friend.
The Investigation Discovery show, "My Brother the Serial Killer," will air Wednesday.
The film is a look at Glen Rogers, who was convicted by a Florida jury in 1997 for killing a woman.
Rogers was also convicted of murder in California and is a suspect in homicides in several other states.
Rogers, who is from Hamilton, Ohio, met Nicole Brown Simpson in 1994 when he was living in Southern California, his family says in the documentary.
A criminal profiler in the film says he received paintings by Rogers with clues possibly linking him to the murders of Simpson's ex-wife and her friend, Ronald Goldman.
Simpson was accused in those killings but the so-called "trial of the century" in Los Angeles ended with his acquittal in 1995.
Simpson never testified at the criminal trial, but memorably demonstrated in court that a glove found near the slaying scene did not fit his hand. He testified at length in a wrongful death trial that led a Los Angeles civil court jury in 1997 to find him liable for damages in the case.
Much of the film is narrated by Rogers' brother, Clay Rogers, who used to rob homes with Glen Rogers as a teen but in 1993, called police on his brother after finding a body at the family's Kentucky cabin.
Clay Rogers said that in 1994, his brother told him about meeting Nicole Brown Simpson.
"They've got money, they're well off and I'm taking her down," Clay Rogers recalls Glen Rogers saying.
Other family members also said Glen Rogers talked about meeting Simpson's ex-wife.
In a statement, Goldman's sister criticized the new documentary.
Barbie babe Valeria Lukyonova
Most girls love their Barbie dolls when they are kids and slowly grow out of them as they mature.
Not Valeria Lukyonova, though!
This 21-year-old Ukranian model wanted to BE Barbie so much that she invested in plastic surgery, make up and a wardrobe change to morph into her doll icon!
With her huge eyes, narrow nose and chin, skinny waist and long blonde hair, she looks unnatural but is totally happy with it.
'I'm happy I seem unreal... it means I'm doing a good job,' she said during her first-ever photoshoot as a living doll. Each to their own, we guess!
Atkinson not excited about playing Mr Bean anymore mr bean by honney
mr bean by honney
Actor Rowan Atkinson says playing the fun−filled character in comedy series Mr Bean does not suit him anymore and he might do less of it.
The 50-year-old actor admits that although playing the lead role in the show has been very successful, the mute character has become tiring for him.
"The stuff that has been most commercially successful for me - basically quite physical, quite childish - I increasingly feel I'm going to do a lot less of," Daily Telegraph quoted him as saying.
"Apart from the fact that your physical ability starts to decline, I also think someone in their 50s being childlike becomes a little sad. You've got to be careful," he added.
Mr Bean first aired on television in 1990 and was on air for five years and has received a lot success.
Thursday, 15 November 2012
'Sons of Anarchy's' Theo Rossi: 'Juice Knows That the Dominoes Are Coming Down' Hollywood movie news
Jon Bon Jovi's Daughter Arrested After Heroin Overdose
Tuesday, 13 November 2012
' Skyfall may be on target to hit the billion dollar mark in global box office
HONG KONG – Sony Pictures' Skyfall may be on target to hit the billion dollar mark in global box office, but Daniel Craig's latest outing as James Bond won't be hitting theaters in China any time soon.
THR has learned that Chinese authorities are now eyeing a late January or early February bow, a solid three months later than its original release date of Nov. 2 -a date still listed on the official James Bond web site, www.007.com.
It's not that the authorities have problems with Skyfall's content. The official press, such as the English-language China Daily, has run quite a few wire stories about the fanfare surrounding the release of the film around the world. But the decision to push the film to January could be interpreted as overtly political and protectionist, since authorities appear to be ensuring Skyfall doesn't overshadow big-budget Chinese releases at the box office.
Feng Xiaogang's Back to 1942 and Lu Chuan's The Last Supper - both the kind of lavish, state-backed historical epics that China turns out regularly - are slated for late November releases in the country. By pushing Skyfall's into to the Chinese New Year theatrical window in late January or early February, Chinese officials may be attempting to secure bigger box office for Chinese films.
It wouldn't be the first time. Just last summer, the authorities pledged to make July the "month of protecting domestic films" by bumping all international summer blockbusters out of the release schedule. This led to an unhindered run at the box office for local productions, including the action fantasy Painted Skin: Resurrection, which took in $112.4 million (700 million yuan) as it nearly monopolized screens in the country during the month of June.
A Genuinely Great 'Twilight' Moment: The Cliff Diving Scene in 'New Moon'
New Moon
The Twilight Saga franchise is worth billions of dollars. It has caused legions of teenaged girls (and sometimes, creepily, their mothers) to line up for each film's opening show days in advance. It has spurred the creation of a new vocabulary — ask any "TwiHard" what "Team" they're on and they'll have an answer ready. It has moved its fans to tears. It is not, however, good. And New Moon is widely considered the worst installment of the mediocre franchise. The series' second film centers on the premise that Bella (played by Kristen Stewart) is so in love with Edward (Robert Pattinson) that she would rather kill herself than live a life without him. Suicide in the name of first love is not something that I, personally, advocate. However, there is one moment in New Moon that is, indeed, genuinely good: When Bella jumps off the cliff.
I, in no way shape or form, condone Bella's decision to hurtle herself off a cliff into the rough and icy waters below in order to see Edward once again. But when she does, the audience is treated to a haunting underwater dreamscape. As Bella floats formlessly under the surface — knocked unconscious by a crashing wave — we are given a first glimpse of what Bella will one day become. Drowning, Bella has gone pale, and as a vision of Edward is conjured next to her, we see that for the first time she is the same hue as her undead lover. Bella has momentarily become a corpse — but not in the way she hoped for. She is not a member of the living dead but, momentarily, the actual dead.
The otherworldly melody of "Slow Life" by Grizzly Bear provides the foundation for Bella's graceful, watery brush with death. And in this moment, music and landscape join together to create a perfectly eerie tableau. The scene, buoyed by this choice of music, has an unexpected calmness and peace to it. You almost want Bella to be able to stay in this transient moment with her lovely vision of Edward forever. How much simpler and safer it is than the harsh world on land. But, as a mysterious hand reaches out to pull Bella to the safety of the surface, the dreamy music stops and we are brought abruptly back to the dangerous reality of this moment.
This scene highlights what Twilight is able to do best: visually capture the characters' dark interiority. While Twilight parades as a love story, it is at its core a dark, twisted fantasy — its subject matter is enough to make Kanye proud. Bella's love for Edward is more like infatuation; it is all-encompassing, obsessive and, ultimately, self-destructive. This is not an ordinary (or healthy) love story, and the films are most successful when they portray it for what it is. In those occasional moments when the grotesque terror shines — or glowers, as the case may be — through the stilted dialogue and one-dimensional characterizations, we are given a glimpse at what The Twilight Saga could have been.
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