Saturday, 22 December 2012

Parental Guidance: Film Review


The Bottom Line

It's Grandparenthood, as Billy Crystal and Bette Midler do their best to keep this generic 
family comedy aloft.

Opens

Tuesday, Dec. 25 (20th Century Fox)

Cast

Billy Crystal, Bette Midler, Marisa Tomei, Tom Everett Scott, Bailee Madison

Director

Andy Fickman


Billy Crystal and Bette Midler hustle to peddle the threadbare material that makes Andy 
Fickman's comedy a perfectly tolerable, if uninspired, moviegoing experience.

The schmaltz is piled on thick, and if the comedy were any broader it would require an Imax 
screen, but still there's something touching about how hard Billy Crystal and Bette Midler 
hustle to peddle the threadbare material that makes Parental Guidance a perfectly tolerable, if 
uninspired, moviegoing experience.


As "the other grandparents" who are given a golden opportunity to bond with their seldom-seen 
grandchildren, Billy and Bette work double time, well aware that it's not just the juvenile 
characters they have to entertain, but also the paying audiences who could count on both of 
them for a good laugh back in the day.
That they manage to pull their weight even when the achingly formulaic plotting threatens to 
drag them under is a testament to their "let's-put-on-a-show" spirit. The end result should 
appeal to audiences, including bonding grandparents and grandkids, looking for a little 
undemanding holiday cheer.

Crystal is Artie Decker, who has just lost his longtime gig as "De Voice of the Fresno 
Grizzlies" when the minor-league baseball team decided to upgrade the outfit with the sort of 
talent that knows its way around a Facebook page or a Twitter account.    

Already despondent, he's not exactly jumping up and down over the news that he and his wife 
Diane (Midler) have been recruited to babysit their daughter Alice's (Marisa Tomei) three kids when she and her tech-geek husband Phil (Tom Everett Scott) get a last-minute opportunity to 
have some out-of-town alone time.

As expected, uptight Alice's no-sugar-allowed helicopter parenting clashes mightily with Artie 
and Diane's old-school approach to child-rearing, not to mention the fact that Phil has 
programmed his smart home to be intuitive within an inch of its inhabitants' lives.

Also as expected are the resulting gags built around technologically challenged Artie. 
Fortunately, old pro Crystal comes armed with an arsenal of rim-shot-ready rejoinders that hit 
the mark more than they miss.



While his character has been given more of an emotional arc than Midler's (unsurprising, since 
the genesis of Parental Guidance came from a newly minted grandparenting experience in producer 
Crystal's life), it's still nice to see Midler strutting her stuff in her first onscreen comedy 
role in years.

And Tomei is always a welcome presence, even when she's saddled with what's essentially a one-
note character for most of the film.

It would have been nice if director Andy Fickman (Race to Witch Mountain) and husband-and-wife 
screenwriters Lisa Addario and Joe Syracuse (Surf's Up) could have mined some fresher stuff 
from this frequently played ballgame, but at least when you've got Crystal calling the shots, 
you can still count on the occasional change-up.

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